One of. is brilliant.”, “sometimes I worry [MEL is] a psy-op meant just for me.”, This site is protected by reCAPTCHA. This is partly an exposé of the same kind of human trafficking the ’40s border films decried, but it’s more about how that kind of crime can stain a person’s soul. John Sayles’ 1996 movie Lone Star is only partly about border crossing; it’s primarily a murder mystery, in which a present-day small-town Texas sheriff looks into who killed a corrupt, racist predecessor. Use the HTML below. It explores why so many people leave the Mexican countryside to work in the United States and what happens … — has allowed Quinlan to pursue his frontier justice for years. Both films enjoyed cooperation from the government, which provided insider details on a real-life scourge. In the latter, multiple generations of one Mexican-American family endure long, dogged fights to settle in Los Angeles, despite harassment from INS agents and the LAPD. Border War: The Battle Over Illegal Immigration Did I mention that this movie came out in 1982? Trump only got a handle on the border … Director: Stephen Frears | Stars: Chiwetel Ejiofor, Audrey Tautou, Sophie Okonedo, Sergi López “Icebox” is a timely new film about one Honduran boy’s quest for asylum in the United States and the conditions he faces after the U.S. Border Patrol apprehends him. Filmmaker Gregory Nava takes a more literary approach to immigration in two of his best films: 1983’s. Each new picture in this strangely persistent cinematic sub-genre asks one big, loaded question: Which side are you on? “Smart and insightful reported features about modern masculinity.”, “@WeAreMel is phenomenal ... the best outlet covering digital culture today.”, “I just laughed out loud for a solid five minutes.”, “The rare men’s magazine that has taken upon itself to investigate masculinity, not enforce it. In the movie The Border, Jack Nicholson plays an immigration agent who gets roped into a scheme that involves taking payoffs to look the other way while traffickers truck undocumented laborers into the United States. Immigrant children are led by staff in single file between tents at a detention facility next to the Mexican border in Tornillo, Texas on June 18, 2018. was released in 1982, it has more akin to the American cinema of the 1970s, which turned conventional genre premises into earthy, morally complex character studies. — “It divided the land, it divided the man” — speaks to what the movie’s really about. While he and his partner (played by Harvey Keitel) pretend to have moral standards that draw the line at drug-smuggling and murder, on a near-daily basis they either witness or facilitate human exploitation and cruel family separations. But the emphasis keeps shifting from era to era and — lately — from movie to movie. Undocumented immigrants Okwe and Senay work at a posh London hotel and live in constant fear of deportation. The most thematically resonant film from this era though is 1958’s, , written and directed Orson Welles, adapting a Whit Masterson novel. In 2008’s Linewatch, Cuba Gooding Jr. plays a border patrol agent tackling gangs. , Cuba Gooding Jr. plays a border patrol agent tackling gangs. Keep track of everything you watch; tell your friends. threads in multiple subplots: about Muslims, gang-members, and sleazy immigration enforcers. . The first two films offer over-the-top genre kicks; the third one is more serious and journalistic. When COVID Makes Your B.O. Border War takes viewers into the smuggling tunnels of Nogales, Arizona, to the migrant halfway houses for deportees in Tijuana, Mexico as well as the Congressional corridors of power in the nation's capitol. Perhaps the most prescient (albeit heavy-handed) film about immigration from the first decade of the 2000s is writer-director Wayne Kramer’s, , starring Harrison Ford as an ICE agent who becomes acutely aware of how his government’s policies adversely affect people who don’t deserve the hassle. The issues haven’t changed that much between. As Vargas investigates the possibility that Quinlan’s been planting evidence in drug cases, he’s also faced with some not-so-subtle sneering over his own interracial marriage. — except with those two, the warnings are about cruel border patrollers, not violent drug gangs. Telly Savalas in, are like a cross between those old ’40s heroes and. While he and his partner (played by Harvey Keitel) pretend to have moral standards that draw the line at drug-smuggling and murder, on a near-daily basis they either witness or facilitate human exploitation and cruel family separations. . Telly Savalas in Border Cop and Charles Bronson in Borderline are like a cross between those old ’40s heroes and Touch of Evil’s Hank Quinlan, setting themselves up like the mini-kingpins of their territory. Welles plays corrupt border cop Hank Quinlan. By contrast: even the most open-minded viewers may have difficulty relating to the two lead protagonists in "Border," a cynical Swedish romantic-fantasy that follows estranged border patrolwoman Tina (Eva Melander) and her unconvincing attraction to Byronic stranger Vore (Eero Milonoff). While playing a cartoonish version of a Mexican-American citizen accidentally deported to Tijuana, Marin tells a story that honors immigrants’ aspirations, and attacks the cynicism of the coyotes and the border patrol. Kevin Knoblock, Director, Border War. In the former, two indigenous Guatemalan teens flee political oppression, traveling to Mexico for a fraught passage across the U.S. border, where they find their life’s still a nightmare. In the 2015 doc. The 2000s began with one of the most ambitious, thorough, and successful movies ever made about the Mexican-American drug pipeline. J.E., 19, and two other migrants were kidnapped in South Texas by a Border Patrol agent, Esteban Manzanares, when J.E. Reputable media outlets have looked for corroborating reports on all these, and come up empty. Tom Homan slams Biden for saying he would reverse Trump’s immigration policies. Films as varied as. A prestige MGM production, Border Incident has a top-shelf crew, with director Anthony Mann, cinematographer John Alton, and composer André Previn all adding polish to a pulpy story. was 14. The movie’s larger point? After We Collided nabbed the #1 spot in our top trailers of 2020. That immigration issues go far beyond one invisible line. Illegal Entry, also from 1949, is a grubbier version of a similar premise, with Howard Duff as the smug savior who swoops in to stop labor smugglers. Icebox, meanwhile, is very of-the-moment, with its tale of an unaccompanied preteen imprisoned in a featureless border facility. Each new picture in this strangely persistent cinematic sub-genre asks one big, loaded question: Which side are you on? ’s most notable characters is a Mexican immigrant who’s now an anti-immigration hard-liner, not wanting any newcomers to replicate her success and take what she’s gotten. See which other trailers racked up the views this year. Films as varied as The Wild Bunch, The Getaway and Aloha, Bobby and Rose hold Mexico up as a kind of promised land. (2006). Border War takes viewers into the smuggling tunnels of Nogales, Arizona, to the migrant halfway houses for deportees in Tijuana, Mexico as well as the Congressional corridors of power in the nation's capitol. All three are essentially dire warnings about the mortal dangers creeping up from the south. The 2000s began with one of the most ambitious, thorough, and successful movies ever made about the Mexican-American drug pipeline. One of Lone Star’s most notable characters is a Mexican immigrant who’s now an anti-immigration hard-liner, not wanting any newcomers to replicate her success and take what she’s gotten. The Biden marketing campaign’s immigration proposals are loaded with the wish-list gadgets of immigration advocates and Democratic activists. , citizen vigilantes on both sides of the border defy drug lords, even as they deal with dissension and mission creep within their own ranks. Human trafficking, drug-running and organized crime were all still featured on the daily news — and in the weekly movie schedule — but the Mexican border figured less in alarmist nonfiction and fiction stories, as Americans fretted more about Soviet missiles and armed domestic militias. The edgy 2009 thriller. Movies about the men protecting the American side of the border, meanwhile, tended to portray them as jaded and authoritarian. , also from 1949, is a grubbier version of a similar premise, with Howard Duff as the smug savior who swoops in to stop labor smugglers. Reputable media outlets have looked for corroborating reports on all these, and come up empty. Movie buffs, though, that these salacious factoids were straight out of 2018’s, Like nearly everything else in public life these days, stories about the border have been politicized. Why Are Tube Sites Suddenly Filled With… Porm? the American side of the border, meanwhile, tended to portray them as jaded and authoritarian. She’s a living critique of everyone who makes it in America and then rushes to pull up the ladder before anyone else can climb. Border War: The Battle Over Illegal Immigration. In 1949’s. Both films enjoyed cooperation from the government, which provided insider details on a real-life scourge. Welles plays corrupt border cop Hank Quinlan. Trump officials warn of new border surge if Biden reverses immigration policies The Trump administration has warned that policies have been key to ending 'catch-and-release.' Want to share IMDb's rating on your own site? The Department of Immigration and Border Protection (DIBP) was a department of the Government of Australia that was responsible for immigration, citizenship and border control (including visa issuance). 1950 - Immigration Minister Harold Holt makes an historic decision to allow 800 non-European war refugees to remain in Australia. Can We Relax About COVID on Surfaces Yet? The Google. Both men use their powers to fight the real bad guys, but the presumption is that they needn’t adhere to the letter of the law to do their jobs — because they’re working in a place no one else wants to supervise. Or, more accurately, a version of the truth. Both pictures are squarely on the side of their protagonists, admiring the will to pursue what most would consider reasonable dreams. is the culmination of two decades’ worth of American movies where “the border” was more abstract symbol than pressing political concern. ’s Hank Quinlan, setting themselves up like the mini-kingpins of their territory. In the 1943 Hopalong Cassidy vehicle, , the matinee cowboy investigates an evil mine owner who’s been kidnapping Mexicans. Smell Brand-New, The Hunt for D.B. Washington, D.C. — Citizens United Productions is bringing the controversial documentary Border War: The Battle Over Illegal Immigration to theaters across the nation later this summer. The movie’s larger point? The issues haven’t changed that much between Border Patrol and Icebox. Over the past 10 years, several documentaries and feature films — including 2015’s Sicario — have aimed to tell the hard truth about what’s happening on the southern edge of California, Texas, Arizona and New Mexico. Directed by Ali Abbasi. The volatile issue of illegal immigration and the continued conflict taking place at the U.S.-Mexico border are brought to life in the documentary BORDER WAR. , meanwhile, is very of-the-moment, with its tale of an unaccompanied preteen imprisoned in a featureless border facility. In the movie The Border, Jack Nicholson plays an immigration agent who gets roped into a scheme that involves taking payoffs to look the other way while traffickers truck undocumented laborers into the United States. But one of the film’s main theses has to do with how life on the border can get all jumbled up. In 2000, director Steven Soderbergh and screenwriter Stephen Gaghan turned a British TV miniseries into the Oscar-winning smash. In the 1943 Hopalong Cassidy vehicle Border Patrol, the matinee cowboy investigates an evil mine owner who’s been kidnapping Mexicans. She’s a living critique of everyone who makes it in America and then rushes to pull up the ladder before anyone else can climb. The first two films offer over-the-top genre kicks; the third one is more serious and journalistic. also consider the contradictions inherent in an America that lures immigrant labor but makes life difficult for those who take the bait. In a powerful essay, Shakira spoke on behalf of the 545 children whose families have yet to be found after being separated at the US Southern border. (Redirected from The Other Side of Immigration (film)) The Other Side of Immigration is a 2009 documentary film directed by Roy Germano. Once done, though, the documentary offers a blistering rebuke to outlets that soft-pedal the dangers lurking along the U.S.-Mexico borders. The plots of director-star Tommy Lee Jones’ The Three Burials of Melquiades Estrada and director Alejandro González Iñárritu’s Babel (both written by Guillermo Arriaga) are partially driven by the American border patrol making life miserable for well-intentioned Mexicans. It gets He ultimately discovers that bigotry — and in particular the presumption that Mexicans must be guilty of. Like Crash, Traffic, and Babel, Crossing Over threads in multiple subplots: about Muslims, gang-members, and sleazy immigration enforcers. Two Latinos manage to cross the US Border illegally through the Desert. Instead, movies about Mexican immigration became more like writer-director-star Cheech Marin’s. hold Mexico up as a kind of promised land. Written by — have aimed to tell the hard truth about what’s happening on the southern edge of California, Texas, Arizona and New Mexico. You must be a registered user to use the IMDb rating plugin. List of immigration related movies. Perhaps the most prescient (albeit heavy-handed) film about immigration from the first decade of the 2000s is writer-director Wayne Kramer’s Crossing Over, starring Harrison Ford as an ICE agent who becomes acutely aware of how his government’s policies adversely affect people who don’t deserve the hassle. In the latter, multiple generations of one Mexican-American family endure long, dogged fights to settle in Los Angeles, despite harassment from INS agents and the LAPD. In the same year’s The Shepherd: Border Patrol, Jean-Claude Van Damme is plagued by heroin smugglers and suicide-bombers. Filmmakers are still telling stories about the bad dudes who make money off the needy and the authorities who try to stop them… and also about the many, many folks who get caught in the middle. 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