From the Miscellaneous series . Plotting a path from a to b, and then strictly adhering to it, might eventually get us to the goal, but perhaps at the expense of far more interesting material on either side. My home country of England has many similarities. « Je préfère le pouvoir de la suggestion à celui de la description.En … These photos inspire me to be intentional and aggressive with my editing, removing everything that doesn't contribute to the main focus of the image. Michael Kenna exhibition. Er nutzt traditionell analoge Technik auf Film. Michael Kenna is no doubt a contemporary master at photography. Ex calculus lover. Tension is created by splitting the large triangle in the center by the two cylindrical buildings. Ideas often come through the very process of working and we should be prepared to follow whatever clues arise. Indeed my first night photograph, made in 1977 of a set of swings in upstate New York, was a direct consequence of not being able to sleep. Michael kenna - rétrospective par Anne Biroleau aux éditions Bibliothèque Nationale de France. To complement, Kenna added rhythm in contrast through post-processing. His images are simple and quiet, empty but for the bare minimum of visual elements. His unique minimalist imagery has inspired many, and earned him a huge and loyal following. As a result, the smooth textureless circular shapes juxtapose perfectly with the rigid and textured triangular shapes, creating a feeling of balance. View Michael Kenna’s 887 artworks on artnet. CG: How do you see yourself in the digital age? It was an exquisitely cold, winter's night. It is not so difficult for me to look back and trace my track, but I choose not to predict where my future path will lead. After further study in London, he worked as a commercial photographer and printer before relocating to the USA. I hope you find this post helpful in keeping you mindful of compositions! All the detail is processed out such that the sculpture seems flat and the viewer can only focus on the bizarre shape of the sculpture. With a grey tone, the building breaks up the black, allowing the grey from the bottom of the photo to flow freely into the sky, preventing the photo from feeling closed off. He is drawn to certain times of day and night, preferring to photograph in the mist, rain and snow clear blue sky and sunshine do not inspire him. A couple of years ago my daughter, Olivia, went to spend a summer in Argentina as an exchange student—our summer, their winter. I first photographed Japan in 1987 when I visited Kyoto, Nara, Kamakura and some other cities but my dream was always to explore the landscape. Rhythm: Similar to the ones above, there is a rhythm in this piece in the form of contrast. In the next few sections, we'll explore some of the compositional techniques Kenna uses to achieve his minimalistic look. Michael Kenna est célèbre pour ses paysages naturels et industriels mystérieux en noir et blanc. I made two sets of 300 original prints, which I also donated. At the time I used the "empirical method" of exposure measurement, (i.e. There is a deep sense of history and intimacy in its terrain. The results were very interesting and since then I've worked on my technique a little. CG: Many years ago, we purchased Homage to Brassaï Surrey, England, 1983 in a Friends of Photography promotion. Michael Kenna is a British photographer best known for his black-and-white images of unpopulated landscapes and urban scenes. I did this because I believe it was the right thing to do. About Michael Kenna. Michael Kenna is widely considered to be one of the masters of contemporary fine art photography. Thus, a beautiful juxtaposition is formed between the rigid and strong towers against the smooth and soft looking smoke, giving off a similar feeling of mystery and ominousness. There were three sections to this exhibition: 1) photographs made during the time of the camps by the S.S., victims, bystanders, doctors, etc., 2) photographs made at the liberation of the camps, and 3) photographs made since then. An aspect of my work relates to memory and time. I photographed the pastoral landscape of the Cotswalds in England, gondolas in Venice and exquisite gardens around Paris. As in Japanese haiku poetry, I also try to emphasize suggestion rather than description. Today, Michael is represented by at least 20 galleries in Asia, Australia, Europe, and the United States with an average of 14 one-person shows each year. Et également Michael Kenna - rétrospective d'United States Golf Association, de Michael P. Kenna et de Michael Kenna ainsi que de Noël Jouenne édités par Taylor & Francis Ltd et Marval ainsi que Bibliothèque Nationale De France - Bnf. I have been able to come up with some reasons why I think I did the work on the holocaust, but after hearing the comments expressed by these survivors, those reasons now seem fairly insignificant. In 1977, he moved to San Francisco, where he met Ruth Bernhard and became her assistant and photographic printmaker for eight years. L’édition Nazraeli Press on publie « Michael Kenna : A 20 Year Retrospective » dans un format plus grand que les éditions précédentes, avec des imprimés de haute fidélité tritones 1:1 à partir de tirages originaux. Having said that, I must admit that I am personally not a great fan of digital manipulation because I think it breaks down the essential link between photography and reality. Study 6: Kenna's series on the Ratcliffe Power Station is one of my favorite of his. These places are potent with tragic memory and loss, and I tried to record and interpret all that I saw and felt. Through his photos and editing techniques, we can learn how to bring more focus to the main subjects and remove useless clutter in our own photos. Text by Michael Kenna. Lines: Kenna did an entire study series on these hillside fences, all of them with the strong lines formed by the fences as the main subjects. The aspect of unpredictability inherent with night exposures can also be a good antidote for previsualization. He has many pieces where the entire photo simply showcases an elegant line. Ausstellungen, Lesungen und Signierstunden auf allen Kontinenten stehen in seinem dicht gefüllten Kalender. I have traveled from the north of Hokkaido to the southern islands of Okinawa, and much in between. MK: I donated the concentration camp work, all 6,000 negatives with their copyright and reproduction rights, to what I considered to be a relevant and appropriate institution, the Patrimoine photographique in Paris. In 1953, Michael Kenna was born in Lancashire, England, into an Irish Catholic family. MK: It’s called Easter Island and is published by Nazraeli Press. It's also interesting to see that each of these regions start wide on the left side and converge to the right-center. The results are soft, stark, enigmatic views of gardens, industrial sites, land, and seascapes from around the world. Usually I take the We recently had a Michael Kenna Photography Facebook fan page put up and there are now about 14,000 fans. Michael creates dream-like scenes by combining innovative and traditional photographic techniques. Large Prints. Er achtet dennoch auf … Michael Kenna is one of the most influential landscape photographer of his generation, photographing for 50 years, best known for his black & white landscapes. Even if minimalistic pictures are not your desired style, I think there's still a lot one could learn from Michael Kenna. Kenna could've processed that grey building black (and I'm sure he tried it), but instead he chose to process it grey. Contrast: Again, we see that Kenna processes this series aggressively such that the tonal range of the photos consists only of the two extreme ends. Namyeong Lion Rock, Mongdol Beach, Jeollanam-do, South Korea. CG: These photographs were exhibited in France, Italy, Spain, Switzerland, and the United States. Recently, my photographs of the camps were exhibited at the Houston Holocaust Museum. Sur ses photos, Michael Kenna n’a … Left: In the "Homage to Atget" series, Kenna photographs numerous fixtures in the Parc de Sceaux, which all exhibit distinguishable shapes. I was extremely heartened by their warm and appreciative reception. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. We are used to working with a single light source, the sun, so multiple lights that come from an assortment of directions can be quite surreal, and theatrical. The negative is raw material, which a skilled and creative printmaker can mold in a thousand different ways. Look through Kenna’s images and you can see he rarely shoots busy and chaotic scenes. Il laisse une part importante à l’imprévu, et aux accidents photographiques. Michael Kenna is no doubt a contemporary master at photography. In the case of Michael Kenna, he uses lines, shapes, and tones to create a rhythm for his pieces. I sometimes think that it is necessary to explore an area of interest in order to find out why it is interesting. Others were concerned that my work made the camps "beautiful." Michael Kenna. I went out to photograph and did not return until after sunrise the following morning. The subject of over 20 books and hundreds of solo exhibitions throughout Asia, Australia, Europe and the United States, Michael Kenna often works at dawn or during the night. The idea was to see how long he could wait before going to retrieve the notes. Michael Kenna gilt als einer der renommiertesten Landschaftsfotografen der Gegenwart. I am greatly looking forward to seeing what is around the next corner. Michael has also exhibited widely. It's really hard to tell what the black subject is - it could be a black cover over a fixture, a freshly cut hedge, or really just a sculpture. MK: One evening I was staying in a friend's house just outside of London - the very place that I had lived for three years when I was studying at the London College of Printing. 2013 Shinan. The water and the sky are both darkened further to accentuate the rhythmic contrast. Web Galleries RECENT PRINTS. Here we can see that compositions could be beautifully simple, to the extent the entire composition is a line. Michael Kenna studied from Upholland College, Lancashire, the London College of Printing and the Banbury School of Art, Oxfordshire. Michael Kenna: There are many characteristics associated with night photography that make it fascinating. Software engineer by profession. Photocrowd Posted on May 11, 2018 Share this post. However, art quickly became his strongest subject and at the age of 17 he moved to Banbury School of Art in Oxfordshire. CG: You once said "Much of my life seems to have followed a pattern of similar happenstance: Well, this happened, so it must be right. JK: Tell me about the new book. So powerful that my first photography book is The Rouge, a signed copy of it. Is this your intent? Lastly, Kenna aggressively applies post-processing to reduce the rest of the clutter and unnecessary elements of the photo. I came away with the feeling that an acknowledgment of these atrocities somehow helps validate the pain and suffering of the victims. This will be more evident in the examples. See available photographs, prints and multiples, and works on paper for sale and learn about the artist. Michael was born in Widnes, Cheshire, in 1953 and discovered photography at art school. Städtische Galerie Iserlohn, 28.11.2014 – 22.02.2015. your own Pins on Pinterest Shapes: I love the usage of shapes in this photo. Washi Japan, 2020 River Po Italy, … Writers have described his photographs as romantic, surreal, haunting, and jewel-like. Despite aspiring to become a Catholic priest, Kenna’s passion for art led him to study at the Banbury School of Art and the London College of Printing. Japan has been a perfect place to explore these themes. January 2003. To learn more about rhythm, this page has a concise and digestible explanation. He only photographs his work in black and white, as he believes that, Some critics said that it was wholly inappropriate for aesthetic interpretations to be made from such horrific subject matter. Santé - Bien-être - Développement Personnel Cuisine et Vins Décoration - Jardinage - Bricolage Loisirs - Nature - Voyages. La Bibliothèque nationale de France consacre une exposition rétrospective au photographe anglais célèbre Michael Kenna, comportant deux cent dix tirages qui témoignent du style puissant et singulier, de la liberté de vision et de la perfection technique de ses tirages argentiques. Michael Kenna : Les photographies de Michael Kenna donnent à voir un monde presque évanescent. Nothing wrong with that, but as time has progressed, my horizons have widened. Retrospective (fr-angl), Anne Biroleau, Bibliothèque Nationale De France. If you're interested in more Michael Kenna analysis, there are two other videos on YouTube that I recommend watching - one by Photo Tom and the other by Ted Forbes. Michael Kenna is arguably the most influential landscape photographer of his generation. He would write his name, the date and some observation to come back to. As it was getting time to go to bed I noticed a rising mist from the River Thames, which was just visible from the window. What next? His pieces feature distinguishable shapes with strong identifiable outlines. Weightlifter and photographer by hobby. Both countries are surrounded by water, both have been lived in for many centuries, and both have been extensively worked and explored. So muss ich sie mir vorführen lassen, wie auch all die herrlichen Fotos, die ich nicht selber im Stande bin zu realisieren. Short profile on the photography and techniques of Michael Kenna. After further study in London, he worked as a commercial photographer and printer before relocating to the USA. I needed to see for myself. Michael Kenna (born 1953) is an English photographer best known for his unusual black & white landscapes featuring ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. In photography, it’s not difficult to reach a technical level where you don’t need to think about the technique any more. Michael Kenna est célèbre pour ses paysages naturels et industriels mystérieux en noir et blanc. Michael Kenna … Michael Kenna December 2001 Jim Kasson interviewed Michael Kenna at his home in San Francisco. I don't have anything against social media but I find my days are already full, and I can't even keep up with emails, so I haven't, and probably will not, embrace further [online] socializing. I'm not sure what it all means, though! Michael was born in 1953 in Widnes, Lancashire, in the industrial northwest of England and studied at the Banbury School of Art and the London College of Printing, graduating with distinction in 1976. However, art quickly became his strongest subject and at the age of 17 he moved to Banbury School of Art in Oxfordshire. Die meist schwarzweißen Fotografien besitzen einen meditativen, poetischen Charakter. Embrace minimalism Minimalism is the key word … As a result, the photo feels ominous, foreign, and somewhat intimidating. CG: Michael, You return from a trip with many rolls of film to process. In photography, it’s not difficult to reach a technical level where you don’t need to think about the technique any more. The bottom half of the photo consists of triangular shapes, processed such that there are details and contrast within the shape. Kenna's compositions are minimalistic by nature with very clear subjects. 8 x 7½" toned gelatin silver print mounted and matted on 20 x 16" board. I am extremely grateful for the opportunities I have had. Nil Satis Nisi Optimum. So powerful that my first photography book is The Rouge, a signed copy of it. I don’t recall where I first encountered his photos, but, although they were not the street photography I was attracted to at first, they struck a chord. La présence humaine s’y inscrit en creux, d’une manière étrange, fantomatique. What's interesting in this photo is Kenna's use of middle grey. Tell me about this print and its title. Over the past 25 years I have also photographed industrial environments in North West England where I grew up, the Rouge steelworks in Detroit, coal and nuclear power stations, interiors of lace factories in France, a kindergarten classroom in San Francisco and Nazi concentration camps throughout Europe. I witnessed many changes in the camps over the twelve years that I photographed; rusty barbed wire was replaced, buildings reconstructed, barriers were erected to protect fragile sites, etc. Michael Kenna – Retrospektive. Michael Kenna is a British photographer best known for his black-and-white images of unpopulated landscapes and urban scenes. I cut out frames from the contact proofs and further edit before going into the darkroom to work on an enlarged print. Water may become a sea of mist or the geometry of human intervention contrasted with a wispy cloud-filled sky. He combines traditional and latest photography techniques to create exotic scenes. His photos concentrate on the interaction between ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass. Consequently, there actually isn't much contrast in texture. Kenna was born in 1953 in Widnes, England. My response was that I see the world in a certain way and that it would be hypocritical, if not impossible, for me to adopt a different way of working for this subject matter. Despite aspiring to become a Catholic priest, Kenna’s passion for art led him to study at the Banbury School of Art and the London College of Printing. I attended the opening and had the good fortune to meet and talk with a number of survivors. I look for an emotional response in all of this work. There's another form of contrast that's more accurately termed as juxtaposition, which is the contrast created by the placement of two objects. His photos concentrate on the interaction between ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass. I've been a long time fan of Michael Kenna and spent time analyzing his composition and post-processing techniques. Michael Kenna's quiet approach to the environment provides a glimpse into the provocative and subtle serenity of landscape photography. I approached the camps with reverence, respect and much trepidation. In London, Michael undertook advertising photography while pursuing his personal work - photographing the landscape. Wind, rain, mist, etc., all have effects on the eventual image. 8 x 7½" toned gelatin silver print mounted and matted on 20 x 16" board. Des, rivages ou encore crêtes se découpant au lointain, la nature est nimbée de mystère dans des lumières diaphanes. Interview with Michael Kenna I was not comfortable with the criticisms but at the same time I was greatly encouraged that the exhibitions were extremely well attended and people were emotionally engaged. The tonal range of the main visual interests is processed such that they're at the two extremes with minimal detail. Michael was born in Widnes, Cheshire, in 1953 and discovered photography at art school. Plans can be made, of course, but we should be flexible enough to respond to whatever is put in front of us. CG: Lets talk about your book, Impossible to Forget: Nazi Camps Fifty Years After, with 110 photographs. There's also a little fuzz on the edge of the triangle hedges, which is a nice juxtaposition to the strong shape of the triangle. As he photographs on a Hasselblad which has a square format, a vast number of his images are square. You returned numerous times to Auschwitz, Sachsenhausen, Dachau, Ravensbruck, Buchenwald and others. The Rouge, by, and autographed Michael Kenna . I believed that beauty was in escapist fiction - the mists of Turner or the romanticism of Blake. I watch the water, the leaves on the trees, passing cars, changing shadows, smoke from chimneys, whatever is around. Much of the subject matter was similar: bridges, boats, embankments, and water. Apart from understanding the compositional techniques and elements, there are a few other key points we can take away from Michael Kenna: Of course, the only way to get better is through practicing with intention. However, in this one, the black sculpture (at least I think it's a sculpture) is the main focus of the photo, and everything else leads to the sculpture. Sometimes it is a basic concern for security but at others it is a more meditational activity. I find it helps with jet lag too! The results are soft, stark, enigmatic views of gardens, industrial sites, land, and seascapes from around the world. Michael Kenna, Weston Gallery, Carmel, California, U.S.A. Rafu and Oiseaux. Michael Kenna is regarded as one of the most accomplished photographers working today. Michael Kenna December 2001 Jim Kasson interviewed Michael Kenna at his home in San Francisco. MK: I try not to think too much about the future. But that's the beauty of it, the composition keeps you wondering and you really appreciate the shape. Michael Kenna, Tracks 100 to 117, Grand Central Station, New York, New York, USA, 2000. Michael Kenna est un photographe anglais amateur de noir et blanc. In general, shoot RAW, use as good a tripod and head as you can afford, and find some way to trip the camera remotely. This is about as close to Kenna's style as I've come: As for technique, I don't do anything special for black and white. The clouds creates additional juxtaposition of texture as they are the only elements in the photo that exhibit texture. Kenna uses long exposure times and shoots in inclement weather to obscure the details of the vistas before him, instead emphasizing atmosphere, tonality, and form in his photographs.

31 photographs.2011 Philosopher’s Tree. I believe printmaking is a critical component of the photographic process and I will always try to do it myself. You enter your darkroom. Some of the camps in the former East Bloc, such as Birkenau and Lublin-Majdanek had undergone little renovation when I first visited and their atmospheres seemed all the more powerful. In addition, the lines act as dividers for the tonal range of the photo - middle grey is contained by the two white lines in the center of the photo and black is on the outside of the lines. I have not processed my own film for many years and instead prefer to send them out to a reputable lab and keep my fingers crossed. The Briton, famed for his black-and-white landscapes, loves the plastic pocket camera for its unpredictability and the whimsical quality of the resulting photos Michael creates dream-like scenes by combining innovative and traditional photographic techniques. Rhythm is created through contrast from the bottom right corner to the top left corner (dark, light, dark, light, dark). The subject of over 20 books and hundreds of solo exhibitions throughout Asia, Australia, Europe and the United States, Michael Kenna often works at dawn or during the night. Grâce à quels critères objectifs déterminer la valeur d’un artiste ? More commonly, shapes are often implied in the composition to bring focus or to frame other subjects. Il affectionne l’interprétation de ce qu’il voit ou de ce qu’il perçoit. The buildings are reduced to simple rigid shapes and it's difficult to recognize the buildings and estimate the scale. Michael Kenna ist ein wirklich begnadeter Fotograf und seine Bilder und Sichtweise kommen mir sehr entgegen. Share on Facebook Tweet Mail it The Lancashire-born master of minimalism has spent years honing his approach to landscapes. Shoot Like Michael Kenna. I finally got to do this in 2001 and have been back six times since then. Le photographe-voyageur anglais bâtit une oeuvre consacrée au paysage, enclos dans le format de la miniature. Online shopping for Books from a great selection of Reference, Equipment, Color, Lighting, Darkroom & Processing, Flash Photography & more at everyday low prices. Film can accumulate light and record events that our eyes are incapable of seeing. Drama is usually increased with the resulting deep shadows from artificial lights. New Ideal Photography. I particularly like what happens with long exposures, for example, moving clouds produce unique areas of interesting density in the sky, stars and planes produce white lines, rough water transforms into ice or mist, etc. Issu d'une famille d'origine irlandaise, Michael Kenna est né en Rhythm, in short, is some form of repetition and order. Es sin überwiegend Landschafts- und ein paar Architekturfotografien aus unterschiedlichen Ländern.Beeindruckender Umgang mit … Kenna also employs this type of contrast in many of his photos, often in the form of lines, shape, and object association juxtaposition. Despite aspiring to become a Catholic priest, Kenna’s passion for art led him to study at the Banbury School of Art and the London College of Printing. I felt that in my own small way I could contribute to keeping the memory of these places alive - the desire expressed by so many victims and survivors. Techniques et Sciences Appliquées Sciences Fondamentales Management - Gestion - Entreprise Informatique Bien-être et Vie pratique. In spite of his busy schedule, Michael generously agreed to this interview. Kenna doesn’t plan schedules or visualize the images beforehand, he takes what he gets and finds. Middle grey flows from the bottom center of the photo all the way to the top third of the photo, finally connecting the sky using the building in the distance. 1977 ging er nach San Francisco, wo er acht Jahre lang für Ruth Bernhard arbeitete, die für ihn zu einem maßgeblichen Einfluss wurde. Rafu Japan, 2008-2018 Notre Dame France, 1987-2015 Birds. The sky and the snow are processed such that they blend and have minimal detail, further emphasizing the lines. Revised and expanded. Michael Kenna (born 1953) is an English photographer best known for his unusual black & white landscapes featuring ethereal light achieved by photographing at dawn or at night with exposures of up to 10 hours. I have often emulated photographers that I particularly admire and I try to pay homage to them in titles for my own photographs. The photos are chronologically ordered with the most recent ones first. Seine bildnerischen, grafischen und zugleich handwerklichen Meisterstücke werden in mehr als 100 Museen und Ausstellungen weltweit gezeigt. This book charts Kenna’s work in the field of architectural photography, showing how his approach to the built environment informs his style, whether he’s capturing natural or human-made structures. Michael Kenna looks for interesting compositions and arrangements within the natural landscape. MK: When I began to photograph the Nazi concentration camps in the mid-eighties it was with mixed emotions. You wrote that you considered the camps "sites of contemplation." Do you still do all your own processing and printing? It's okay to be aggressive with post-processing, Simplify the photos such that the subject is clear, Process intentionally to strengthen the subjects and compositional elements. His work is in dozens of major permanent collections. Japan has been a perfect place to explore these themes. In this post, I'll be dissecting Kenna's photos, explaining why his I think his photos work, how it's done, and finally, show some of my attempts at incorporating his aesthetics into my photography. The glass can always be perceived as half empty or half full and I try as much as possible to choose the latter. Michael Kenna is widely considered to be one of the masters of contemporary fine art photography. Michael Kenna : images of the seventh day 1974-2009. Carole Glauber: Does photographing at night change your way of thinking about what you are photographing? New Ideal Photography. Rhythm: Rhythm occurs twice here in this piece. Based on my past itinerary, I suspect the road ahead will be full of interesting twists, turns and diversions. Oct 12, 2015 - Explore sam townsend's board "Michael Kenna", followed by 122 people on Pinterest. Additionally, there's strong repetition in the sea structure. Michael Kenna : A 20 Year Retrospective Michael Kenna : A 20 Year Retrospective, de Michael Kenna, Peter C. Bunnell, Ruth Bernhard. First, there is rhythm in the shape of the rocks - it alternates from tall to short. I think there is far too much literature and far too much emphasis upon the techniques of photography. What do you do to produce your final prints? MK: I have spent the past couple of years wandering around Japan photographing and a book containing 95 of these images has just been published by Nazraeli Press. The Briton, famed for his black-and-white landscapes, loves the plastic pocket camera for its unpredictability and the whimsical quality of the resulting photos The way he achieves this is by framing the photo to include limited number elements and using clear and obvious compositional techniques. Rhythm: Similar to the previous photo, this one also has rhythm in contrast, alternating between relative light and dark. He has a silent approach to photographing the environment, scenery, landscapes and anything around him. He uses a lot of symmetry and rule of thirds but is not afraid to break rules if the composition calls for it. Contrast: The contrast in this photo is consistent with the rest of Kenna's work. For a large majority of Kenna's photos, the tonal range of the entire photo lies on the two extremes. From an early age Kenna aspired to be a priest and, aged eleven, began studying at a seminary school. MK: For the most part I have been using medium format cameras since the mid-eighties. In comparison, the dramatic clouds contrast the rest of the photo with its inconsistent middle grey tone. To experience natural phenomena and to be able to record unrepeatable moments in time is a great part of the attraction I feel to photography. As a photographer I felt a sense of duty. The combination of lines forms geometric shapes. Michael Kenna, Tracks 100 to 117, Grand Central Station, New York, New York, USA, 2000. Although it was by far the hardest subject I have photographed, I believe at this point it is the work I am most proud of. When photographing I probably average about 10-15 rolls of 120 film each day, which adds up after a few weeks. Il est particulièrement connu pour ses images de l'Asie, où il a voyagé dans certains des plus beaux endroits du monde. Es ist wie mit der klassischen Musik, wunderschön, aber ich kann sie nicht selber spielen mangels Talent. Now to Michael Kenna. I believe that part of my early motivation for photographing the camps was an attempt to process what I found unfathomable: the darkness and evil that seems to exist within human nature. MK: It’s called Easter Island and is published by Nazraeli Press. In Europe these photographs were included as part of a much larger traveling exhibition titled "Memoire des Camps," organized by the Patrimoine photographique in Paris. November 20 - December 19. In the right photo, numerous triangles are formed by the cylindrical sloped towers, which are further accentuated by post-processing the shadows extra dark. Please let me know what you think, feedback is always welcome! His work is also available to the public via 18 books containing an astonishing quantity of reproductions: 130 images in Twenty Year Retrospective (1994), 60 in Le Notre's Gardens, (1999), 80 in Night Work (2000), 110 in Impossible to Forget (2001), 95 in Japan (2003), and so on. We live pretty fast-paced lives so it is a luxury to be able to slow down and better appreciate some of the more subtle effects of nature that we can so easily miss or take for granted. Drama is usually increased with the resulting deep shadows from artificial lights. Michael Kenna, Weston Gallery, Carmel, California, U.S.A. Rafu and Oiseaux. Just like rhythm is important in music, rhythm is equally important in visual arts. Right: The right piece uses similar techniques. Contrast: What I love really about this photo is the contrast. Michael Kenna travels the world, attuned to the aesthetic, emotional, and spiritual resonance of natural and urban landscapes, which he seeks to capture in his exquisite black-and-white photographs. When I first learned, as a schoolboy in England, that eleven million people had been rounded up and subject to industrialized slaughter right in the middle of Europe, I found it impossible to comprehend. However, in Kenna's pieces, the lines are the subject and the focus. When Michael Kenna was a boy growing up in the small industrial town of Widnes, England, he hid pieces of paper around his house, his neighborhood and the local park. View Michael Kenna’s 887 artworks on artnet. Michael Kenna is widely considered to be one of the masters of contemporary fine art photography. Revised and expanded. 2 sept. 2020 - Michael Kenna (1953-...) est un photographe britannique. Embracing life right now, along with all its convolutions and complications, is incredibly exciting. Ginza Fugestudo, Tokyo, Japan. Page : 3 Généré le 2020-05-10 à partir de https://data.bnf.fr/fr/13532428/michael_kenna/ Illustrateur (6) → L'impossible oubli les camps nazis cinquante après Lines: This is one of my favorite pieces of Kenna. This is one of his primary compositional elements, and looking at a collection of his work, even the one in this exhibition (which contained about 40 photos), it’s clear how he uses this technique. As a result, Kenna's photos demonstrate intense focus and minimalism, which produces a peaceful and zen feeling. I felt like an outsider; I was not Jewish, none of my family had been materially affected by what had taken place in these horrific places, and I really could not understand my motivations for wanting to do this work. I believe that artists should use whatever tools are appropriate for their vision so I am delighted that some photographers have embraced new technology and are using it for their creative endeavors. 2013 Shinan. I like John Lennon's line "Life is what happens when you're busy making other plans." I find this shot incredibly impressive and creative since it's difficult to envision this type of final result when I'm just looking through the viewfinder. Usually I take the His books include Forms of Japan and Rouge, which is a study of the US industrial heartland. JK: Tell me about the new book. Buddhas. In many cases, it's used to bring focus and create a movement to the main subject. I like to photograph traces of our past activities and I try to reflect the atmospheres that remain. I believe it is most unwise to think that we have much control over events and people. When I saw, a few years later, a fellow student's photograph of a mountain of shaving brushes from Auschwitz, I was completely overwhelmed by the knowledge that remains of this mass murder were still visible. Study 36: In the left photo, a pleasing rhythm is created with repetitive cylindrical towers. Together, this photo exhibits incredible balance and produces a feeling serenity and peace. Did you have concerns about possibly objectifying the camps by making photographs of them into works of art and thereby altering the camps' terrifying reality? We can see the tones alternate from dark to light to dark from top to down. The triangular hedges and the rectangular lines formed by the ledges intersect at the sculpture, creating a natural flow. Et comment suivre l’évolution de la cote de ses tableaux, sculpture ou dessin ? Michael Kenna looks for simplicity in his composition, moving closer or framing the subjects to get rid of extraneous objects. There's also the juxtaposition of the curved freeform land against the ordered and rigid sea structure. These shadows can invite us to imagine what is hidden. Infrared and radio remotes are great, though some cameras are limited to cable releases. In this article, I will discuss Michael Kenna’s use of leading lines. Now to Michael Kenna. From the Cityscapes series . This type of rhythm is a recurring theme with Kenna's photo and can be seen consistently in his works. I imagined that Brassaï might have done the same thing when he was photographing along the Seine in Paris. Michael Kenna operates in monochrome and is a master at tonal contrast. Texts by Michael Kenna and Daido Moriyama. 2018. Michael Kenna Quixote's Giants, Study 5 / Les Géants de Don Quichotte, étude 5 As a matter of fact, Kenna often intentionally removes much of texture of the elements in the photo but maintains a clear outline of the elements. The tones alternate between light and dark throughout the entire photo. Lastly, Kenna aggressively applies post-processing to reduce the rest of the clutter and unnecessary elements of the photo. And he mainly uses Hasselblad medium format and Holga cameras, accounting for the square format of most of his photographs. CG: Michael, You return from a trip with many rolls of film to process. What has been the response in these countries? CG: Describe your recent travels, what you photographed, and why. He allows the scene to speak for itself and embraces a Zen-like approach to image making. Quelle est la cote d’un artiste sur le marché de l’art ? I believe that the historical strength of photography has been its very tie to reality - it is one of the main characteristics that differentiates it from painting, drawing, sculpture, etc. Jan 2, 2014 - This Pin was discovered by Thomas Auriel. From an early age Kenna aspired to be a priest and, aged eleven, began studying at a seminary school. We take a look at how he captures his unique vision of the world . Son oeuvre est prolifique et ses clichés de Paris réalisés depuis les années 1980 montrent une poésie et une finesse remarquable, nous emmenant parfois dans un rêve éveillé à travers les plus beaux parcs et lieux de Paris. A couple of years ago my daughter, Olivia, went to spend a summer in Argentina as an exchange student—our summer, their winter. I usually have two sets of contact prints made, one gets filed and the other I use to edit out images that look interesting. Other times, there are a handful of lines that juxtapose each other resulting contrast or complement each other. Gallery Art Unlimited, Tokyo, Japan. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Contrast: Kenna processes his photos to the extremes of the tonal range. Kenna was born in 1953 in Widnes, England. I am interested in how we interact with our environment and what we leave behind on the planet. Combien valent ses œuvres ? Seine Studien an der Banbury School of Art und dem London College of Printing schloss er 1976 mit Auszeichnung ab. Edition of 45 Michael Kenna Tree and Gran Sasso, Castilenti, Abruzzo, Italy, 2015 Michael Kenna, Tree and Gran Sasso, Castilenti, Abruzzo, Italy, 2015. Michael Kenna is one of the most popular and influential landscape photographers of the last 50 years. Often working at dawn or during the night, he has concentrated primarily on the interaction between the ephemeral atmospheric condition of the natural landscape, and human-made structures and sculptural mass. What are you watching? I've included some of my attempts at incorporating these learnings into my photography.